Borderwall as Architecture - A Manifesto for the US-Mexico Boundary (Ahmanson-Murphy Fine Arts Imprint)


Borderwall as Architecture - A Manifesto for the US-Mexico Boundary (Ahmanson-Murphy Fine Arts Imprint)

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Críticas Overall Public Art is a provocative and impressive study of contemporary public art that is ambitious in its pursuit of populist virtues. ... Knight's book is an excellent example of art-historical scholarship. ( The Journal of Aesthetics and Art Criticism January 2010) [Knight] offers a twenty-first-century definition of public art. ( AfterImage July 2009) A broad account of public art in the United States from its history and growth to its current meaning and purpose. ( Sculpture Magazine March 2009) The thorough bibliography will greatly benefit public art professionals artists art historians and laypersons. Providing a detailed frank account of public art and viewer agency across the broadest spectrum Public Art offers insight into works that might be beyond traditional conceptions. By bringing art that is often at the margins to the center Knight offers fresh ideas on a subject ripe for further discussion. Recommended. ( Choice November 2008) Cher Krause Knight ... focuses on the notion of populist involvement as the yardstick by which to measure public art projects. She touches on well-known moments in the history of public art to illustrate the ways that the public has been variously excluded humored harangued or genuinely integrated into projects. Most interesting are her musings on commercial sites like Disney's Magic Kingdom and Las Vegas casinos. In their admittedly pandering capacity for spectacle she argues such places include the public in ways that snooty art commissions don't-whatever you say about their aesthetic values. ( Public Art Review Fall 2008) Reseña del editor This book takes a bold look at public art and its populist appeal offering a more inclusive guide to America's creative tastes and shared culture. It examines the history of American public art - from FDR's New Deal to Christo's The Gates - and challenges preconceived notions of public art expanding its definition to include a broader scope of works and concepts.* Expands the definition of public art to include sites such as Boston's Big Dig Las Vegas' Treasure Island and Disney World* Offers a refreshing alternative to the traditional rhetoric and criticism surrounding public art* Includes insightful analysis of the museum and its role in relation to public art Contraportada American public art is a living entity always in flux. It is not relegated only to physical objects but is manifested through an accretion of meaningful experiences. Though the art world has often taken an elitist view of popular culture public interest in art has grown. This dynamic has thrust public art into the center of academic and intellectual debate especially in the last few decades. This book takes a bold look at public art through a populist lens offering a more inclusive guide to America's creative tastes and shared culture. It examines the history of public art – from FDR's New Deal to Christo's The Gates – and challenges preconceived notions of public art expanding its definition to include sites such as Boston's Big Dig Las Vegas' Treasure Island and Disney World. In doing so it offers a refreshing alternative to the traditional rhetoric and criticism surrounding public art. Reframing populist sentiments Public Art: Theory Practice and Populism lobbies for a revolution in the way we think about talk about and appreciate public art. Biografía del autor Cher Krause Knight is Assistant Professor of Art History in the Department of Visual and Media Arts at Emerson College in Boston. She has published her work in Visual Resources the Journal of American and Comparative Cultures Analecta Husserliana: The Yearbook of Phenomenological Research and American Art Review as well as in the anthologies Reclaiming the Spiritual in Art: Contemporary Cross-Cultural Perspectives and Blaze: Discourse on Art Women and Feminism.

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