Dionysus Since 69: Greek Tragedy at the Dawn of the Third Millennium


Dionysus Since 69: Greek Tragedy at the Dawn of the Third Millennium

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Críticas Hall's 46-page introduction to the volume is one of the best pieces that have been written so far in the area of Reception Studies of classical texts and ought to be mandatory reading for anyone interested in this area. (Martin Revermann Journal of Hellenic Studies)...a major contribution to the year's work (Year's Work in Critical and Cultural Theory)...reveals a wealth of understanding concerning the ways Greek tragedy has been read received interpreted and shared in recent decades and points the way forward to other studies in this ever-increasing field. (C.W. Marshall The Classical Review)The quality of the contributions is uniformly high ... The range of methods is appealingly wide providing readers with fascinating material ... Collectively the volume gives an extremely stimulating up-to-date account of Greek tragedy in the last thirty or forty years ... deserves a wide readership ... The writing is accessible; illustrations are well selected ... index and bibliography are very detailed. (The Journal of Classics Teaching) Reseña del editor Greek tragedy is currently being performed more frequently than at any time since classical antiquity. This book is the first to address the fundamental question why has there been so much Greek tragedy in the theatres opera houses and cinemas of the last three decades? A detailed chronological appendix of production information and lavish illustrations supplement the fourteen essays by an interdisciplinary team of specialists from the worlds of classics theatre studies and the professional theatre. They relate the recent appeal of Greek tragedy to social trends political developments aesthetic and performative developments and the intellectual currents of the last three decades especially multiculturalism post-colonialism feminism post-structuralism revisions of psychoanalytical models and secularization. Biografía del autor Edith Hall is Leverhulme Professor of Greek Cultural History at the University of Durham and Co-Director of the Archive of Performances of Greek and Roman Drama University of Oxford Fiona Macintosh is Senior Research Fellow at the Archive of Performances of Greek and Roman Drama University of Oxford Amanda Wrigley is Researcher at the Archive of Performances of Greek and Roman Drama University of Oxford

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Manual Básico De Signos Y

La Visione Transpersonale ci parla di un modo di stare nel Manual básico de signos y

My Heart Fills With

Críticas A quiet loveliness sense of gratitude My Heart Fills with

Guía Del Autoestopista Galáctico: 39 (Compactos

Reseña del editor Es un jueves perfecto para Guía del autoestopista galáctico: 39 (Compactos

Stretching Global Activo I

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El Bestiario De Axlin / Axlin's Bestiary

Reseña del editor El mundo de Axlin está El Bestiario de Axlin / Axlin's Bestiary


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